Art Caudill Photography
A full-curl bighorn ram staring straight into the camera, Hells Canyon

Art Caudill

Photography

Wildlife from Hells Canyon, Oregon — bighorn sheep and mountain goats in the deepest river gorge in North America, the birds that work its water, and the night sky that still goes properly dark above it.

Hells Canyon · Oregon

The canyon does the posing.
I just have to be there before it moves.

Most of these photographs were made within a few miles of the Snake River, with a long lens and a lot of waiting. Rams in the November rut, goats bedded on ledges I wouldn't stand on, eagles over the water — and on the right nights, an aurora burning over a still backwater. Every image here is Art's own work, watermark and all.

100–500mmCanon RF 100-500mm f/4.5-7.1 L IS USM — the white barrel and red ring in the logo
25Signed, numbered copies in each limited edition — then the edition closes
3Prints ready to order now, below — with more of the gallery available on request

Fine art prints

Three prints, ready to hang

Each of these is offered two ways: a limited edition of 25 at 16×24″ — signed, numbered, and printed from the full-resolution RAW file — or an open edition in three sizes. Pick a size on any print and it carries straight into the order form at the bottom of the page.

Every limited edition is printed from Art's full-resolution RAW file — the web previews here are small exports. Anything else in the gallery can be printed too; ask in the order form.

About

Art Caudill

Portrait of photographer Art Caudill

Art photographs wildlife in and around Hells Canyon, Oregon — the bighorn sheep and mountain goats of the canyon walls above all, with bears, eagles, deer and the occasional pine marten filling out the year. His field lens is a Canon RF 100-500mm f/4.5-7.1 L IS USM — the big white barrel with the red ring — which is also the camera at the center of his badge.

The work is patience-based: learn where a band of sheep winters, be there before the light, brace the lens against the wind, and let the animals close the distance. The collared ewes in the gallery are part of a research herd — photographed from a respectful distance, never pushed.

When the canyon gives him a clear, dark night instead, the same tripod turns upward: aurora over still water and the Milky Way standing straight up out of the gorge.

  • Home groundHells Canyon, Oregon
  • SpecialtyBighorn sheep & mountain goats
  • Field lensCanon RF 100-500mm f/4.5-7.1 L IS USM
  • Signature seasonThe November rut

Field notes

Notes from the canyon

Bighorn ram showing the flehmen response

November is rut month

When the rams come down and start curling a lip over the ewes' scent — the flehmen response — the clashes aren't far behind. Cold helps: frost on the front element at dawn is the price of being early enough.

Collared bighorn ewe with her lamb

The collared ewes

Some of the canyon's ewes wear research collars, and their lambs are the herd's future. They get extra room — a long lens means a photograph never has to cost an animal its morning.

Milky Way over dark canyon hills

Nights worth losing sleep over

The gorge still goes properly dark. On a strong solar night the aurora can pour green and orange over the water; the rest of the summer, the Milky Way stands straight up out of the canyon like smoke.

Order a print

Build your order inquiry

Choose a print and size, add your name, and this page writes the inquiry for you — copy it or download it as a file to send to Art. Nothing is sent from this page; you're in control of the message.

Total: $625